Carving made easy - Raven sculpture video

The title of this post is very much tongue in cheek as this observer and videographer can attest. I have in recent years carved the occasional textural detail on furniture pieces that our company makes but confess that these were mere chips of wood removed with minimal precision to create an interesting tactile surface and not an example of fine wood carving.

For the carvers who may be reading this the major shaping and removal of large areas of wood was done with either a large flat gouge or a flat pairing chisel. The large feathers were carved with a “V” tool and pairing chisel. The small feathers were created with various different shaped gouges which were pushed down into the wood and around the edge of the feather to create a vertical wall and small pairing chisels were then used to remove the tops of the abutting feather to create a step. Describing Martin’s carving was far more difficult and far less informative than making and viewing this video.

Other Videos

One Feather At A Time - The Raven Sculpture Journal

Continuing the journal of Martin Pierce’s Raven sculpture. 

Following his visit to Big Bear where he was able to see  raven’s up close Martin decided he needed to change the pose of his sculpture to show the raven cawing with his beak open and throat puffed to make the distinctive sound raven’s use when declaring their territory or courting.

Once captured in pencil, the raven’s 3  perspectives  were outlined onto rough wood blocks, one for each section of his body. In deciding  how to sectionalize the raven’s shape Martin had to reverse engineer the sculpture by determining how the bronze would eventually flow, where the  gates for the bronze could best be added and where thereby the bird could best be sectioned.

Constructing and de-constructing a Raven for lost wax casting

If Martin had been intending to make only one wood sculpture he would have chosen a wood with more character than basswood and would have sculpted the bird from one block of wood rather than several pieces. However, as this sculpture will be used to create several molds for lost wax casting the sculpture was made so that it could be de-constructed.

The raven will be cast in bronze and will be available as a limited edition. The raven will join his feathered friend the scrub jay in Martin’s collection of bronze sculptures, which as well as portraying birds also portrays insects in fictional settings.

Ravens at Big Bear Alpine Zoo

The Raven sculpture is now taking shape as Martin develops a clearer understanding of this magnificent bird’s wing movement, body stance and general proportion. Having tentatively decided to sculpt a male in pre-flight position,  a visit to the Big Bear Zoo is making him question if this is the pose he wishes to capture as a sculpture.

Finding a live accessible raven has been a challenge as our local Los Angeles zoo could not help. However, the zoo at Big Bear next to Snow Summit has 2 pairs of ravens and we were allowed to freely photograph them. Day one proved frustrating as neither pair was in the mood to be photographed but on day two we were able to take some beautiful shots of their head profiles, plumage and talons.

Raven Profile

The zoo is well worth visiting and is just over 2 hours by car from Los Angeles and offers a wonderful range of animals including timber wolves, raccoons, coyotes and 2 snow leopards. As they state on their site ” The Big Bear Alpine Zoo is a rehabilitation facility offering injured, orphaned and imprinted wild animals a safe haven, temporarily while they heal, or permanently, as they are unable to survive on their own. We are extremely proud that 90% of all the animals brought to us for rehabilitation are successfully released back into their native environment.”

Plumage and back talon detail

Equipped with a better understanding of these 4 ravens Martin will turn his focus back to his drawing board to decide what changes he will make to his initial concept drawings.By year end we hope to have a new bird sculpture to add to our collection of bronze sculptures.

HAPPY 4th JULY TO ALL

From all of us here may you have a happy and safe July 4th.

The image used here may not be the iconic American bald eagle but the Blue Jay still ranks as a revered and loved bird amongst  Americans and non-Americans alike.

The sculpture is both a decorative wall piece and a functioning door pull depending on your taste and needs . It is cast in solid silicon bronze and is part of Martin Pierce’s limited edition of  art works that include several insect and fantasy pieces.  The Blue Jay measures 17”W x 12”D x 4”H.

Bronze Jay sculpture reveal

Several months ago we introduced you to our jay sculpture in a three-part series that chronicled the process of designing, sculpting and casting a bronze piece, whether it be used as door hardware or as wall art.  Our goal was to share with you how, after all the hard work, a collection of pieces like this

become a beautiful piece of  sculpture like this soaring beauty:

This majestic piece measure 18" from wing tip to wing tip, 12" from beak to tail and projects 4" from the wall.  The dark oil rubbed patina allows the exquisite detailing of the wings and body to be enjoyed.  Part of a limited edition, this bird sculpture can be hung on the wall and admired as a piece of wall art or utilized as custom door hardware for an impressive entry to a residence, hotel or commercial building.

If you are interested in the jay sculpture or any of our custom hardware collections, please contact us to discuss your specific project.  Our entire collection of architectural hardware can be viewed on our site at www.martinpierce.com.

Anatomy of a bronze door handle

We introduced the beginnings of our jay sculpture with a post back in August of 2014. After working on the piece we decided to offer it as a limited edition of 25 sculpture that can be hung on the wall or fitted for use as door pulls.  As with any bespoke item, the creative process involves many steps. As we have shared many times, all sculptures and our custom door hardware pieces begin with a detailed sketch of Martin's vision for the piece or, in this instance, many photographs of his inspiration i.e. the red tailed hawk we see flying above the skies of Los Angeles.

Red tailed Hawk Martin Pierce Hardware

martin pierce redtail hawk on utility pole

As mentioned, when Martin began the jay sculpture in wood it was always his intention to use this sculpture as a pattern to make bronze door handles.   Therefore, when designing the bird there were three very important considerations:

The first consideration was a) how would you, as a home or business owner,  be able to grip a section of the bird to pull open your door and b) how would you be able to mount the bird on your door?

These considerations affected the way Martin designed the wings.  The left wing has a flatter area which can be used to attach the bird to the door and the right wing is the area that would make it possible to grip and hold to open the door. The tail of the bird could also be used as a secondary spot to attach the bird to the door if necessary.

The second consideration was the casting process. In casting you have to think about ways that the molds can be made so that  first the wax,  and then  later the bronze, can flow easily. To do this you have to plan where you are going to create “gates” or funnels or paths for the wax and bronze to evenly flow.

The third consideration is weight.  In order to avoid having the "bird" weigh a ton, so to speak, the casting of the body must be hollow.

Once all these details were ironed out it was time to begin sculpting the mold.  Details to follow on that very interesting process as well as casting, pouring etc.  So stay tuned!

To view our entire collection of custom architectural hardware you can visit our site at www.martinpierce.com.

Martin Pierce has gone to the birds with our new sculpture

We recently teased you a bit with an introduction to a project Martin is working on that involves the design of a blue jay.

To catch up you can view that introductory post here.

We are very happy to say that the jay wing carvings have now made it into wax, shown as the brown wing in the photo below. The wax wing was created by pouring wax into a rubber mold that we made around the grey pattern (carvings) that Martin sculpted. The pattern or carving in the photo above is beige in color, the natural color of basswood, but we then "paint" the pattern with a grey primer to fill in the grains and pores of the wood, giving us a smooth grey pattern and one without the distraction of wood grain. If we didn't fill in the grain the end result would be a bronze casting with a visible and distracting wood grain.

As with all of our pieces, we will use  the lost wax method when creating the eventual bronze castings as this method allows us to capture the intricate details of the wings and bird.

This particular sculpture was not commissioned.  Rather, it is just a bird we see often and one that Martin really likes as they have a lot of character and are fun to watch.  We had originally thought of just having the wings as door pulls but decided to turn it into a complete sculpture that can be used as wall art, yet still offer the option of mounting it on the door as a pull.  We are also happy to announce that it will be available in a limited edition of 25 and we will keep you posted on the progress with future posts.

If you are interested in other architectural hardware pieces modeled after birds or would like to discuss a custom order for your next hospitality or residential project, please contact us or visit our site at www.martinpierce.com.