Discussion about learning art techniques

We are pleased to share a recent interview between Martin Pierce and Aaron Miller at Canvas Rebel.

Aaron structured the interview around 3 areas: learning and developing skills, pivotal moments in Martin’s career and unlearning habits or traits.

These questions allowed Martin to take a step back and look at his life in a more analytical way and helped prevent the interview from becoming cliched.  My role as ghost writer was to articulate this journey in a clear but expressive way. Our creative friend, Maria Ramirez Adams photographed Martin and several of his works at his studio and the framing of these shots gave the piece color and context.

The article can be read in full at Canvas Rebel’s site and the quotes below are intended as a primer.

Photograph Courtesy of Maria Ramirez Adams

Learning to unlearn

“As an apprentice wood carver, I learned to carve quickly and precisely, skills that made me a useful employee but also a prolific artist. I have had to learn to create with purpose and to understand that if my art is channeled into a business, I am not an untethered free spirit but must consider why one design versus another is worth making”

Learning skills

“The learning curve has been long … I was always interested in nature and enjoyed physical work but being dyslexic, I found studying a real pain. My school had 3 good courses, art, woodworking and metal work. I was drawn to woodworking and began carving at 12. I don’t think it makes sense to look back and over analyze wrong turns or wish you had done things differently.”

Current Focus

“Is the insect story I am creating in bronze and steel, and this is where I have a lot of fun. The plot line involves small insect loving humanoids who co-exist with large insects and together build houses and even compete in the annual insect race.”

Photograph Courtesy of Maria Ramirez Adams

Katydid Sculpture Takes Shape

The Katydid, sometimes called a green bush cricket or long horned grasshopper is a family of insects with 8,000 species. In California we see both the greater and lesser angle-winged species which were  reference points for Martin Pierce’s latest addition to his insect collection of  sculptures. The actual shape of his new piece though owes more of it’s design to the Mediterranean species but even this variety was adapted for stylistic and practical reasons  and made with wider wings.

 For those interested in the name Katydid it comes from the Greek word “tettix” meaning small cicada. Wikipedia enlightened this writer to the onomatopoeic  use of “ tettix” which when repeated makes a sound similar to one made by the Katydid when rubbing it’s wings together. Interestingly, the word Katydid  is also onomatopoeic as when repeated  “kat-y-did “imitates the stridulation of this insect.

When complete the Katydid will be considerably larger than other members of this species at a substantial 11” high by 16”long.

The progress photos shown here are provided courtesy of Maria Ramirez-Adams a fine art photographer and film maker.

 Having decided on the shape of the katydid, Martin enlarged his sketch and drew it as a scaled profile on vellum. The profile was then redrawn on thicker paper but as 6 separate body parts.

The profiles were used as patterns and each body section was crudely cut from solid basswood. Once cut the sections were carved with a variety of wood cutting chisels.

Photography courtesy of Maria Ramirez-Adams

The 2 wings were cut from 1/8” plywood and were soaked in water to make them supple so they be could be twisted and bent around the thorax. Once the correct shape was formed, the wings were clamped and glued at the narrow thorax end and will be used to create a complex 3 part mold. The 2 wings were carved as a unit with a protective brace to prevent their fragile form from breaking. The outer main leaf veins were first carved and then the smaller veins were drawn and carved.

Photography Courtesy of Maria Ramirez-Adams

New Raven Sculpture Takes Shape

Following on in the quest for a perfect raven sculpture Martin has drawn his intended subject side on and full scale at 22” from tip of tail to tip of beak.  Using old school techniques to maintain the bird’s proportions he drew the raven on a 1” size grid and then increased the grid to 2” to achieve the correct size. While this could have been done in photo-shop with a grid tool, the size of the piece would have made it cumbersome.

He will now need to draw the front elevation, plan and top view so that he can correctly show the leg stance and wing position and capture the birds pre-flight position with the wings slightly apart.

Finding a captive raven to study for the other elevations has not been easy but we have found 4 ravens who are residents at the Big Bear zoo so will be travelling there soon to get some footage for the next stage.

Martin will be carving the raven in basswood which is a tight grain but relatively soft easy to carve hard wood. At this point he plans to carve the bird as whole sculpture to ensure its correctness from all elevations. Once it looks correct and mindful of the cost of and weight of bronze he will then cut the sculpture down the middle so that he can carve out the center and thus make the sculpture hollow.